This being the case for a new Syberia game just doesn’t feel fun.
It’s kind of sad that this has to be the case for what’s essentially an old-school adventure game. Again, this is all made much more straightforward with a controller. When the game essentially doesn’t showcase points of interest, instead forcing you to move around the environment and discover them when close, thus prompting interaction, it only makes for more unenjoyable busy-work. The game advises beforehand that using a gamepad is recommended and those who grew up playing the other games, or any old-school adventure game for that matter, are kind out of luck without one. What this also means is that your character must be physically close to an object for an interaction icon to appear. Instead, you’re required to rotate and move Kate manually along with an option for her to sprint faster.
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"Add to that some of the technical issues faced from the game’s camera (whether it’s moving from one fixed position to another), and Syberia III comes off as unpolished and a bit low-budget."Īnother major change made to the series is the removal of the tried-and-tested, point-and-click movement of your character. But due to the large focus on conversations, much too often do the inadequate performances take you out of of the experience. Given its French roots, it’s understandable why some dialogues may not sound completely coherent or have a star-studded cast to execute them well. Even though Kate herself (voiced by Sharon Mann) is decently casted, there are numerous amounts of stilted dialogue and questionable age role choices. Bad voice-acting hampered by poor lip-synching abounds at nearly every turn. However, the game is not without its blemishes, particularly in terms of how characters speak and animate. And the somber tone is only further amplified thanks to the game’s soundtrack scored by Inon Zur who also worked on Syberia II.
Some of the textures when inspected closely still look outdated, but overall, it’s an admirable show for a title that utilizes the Unity 3D engine.
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Progression is fairly straightforward, and you’re usually clued in on where you need to go next along with the characters you need to acquaint yourself with.ĭespite the transition from pre-rendered graphics to full 3D, Syberia III’s art direction is able to capture the tone and essence of its forebearers fairly well. A large portion of Syberia III’s initial story is in helping the tribe get back on its feet, but a lot of what was covered in the earlier games are sparingly brought up unless needed. To those who’ve played the first two Syberia games will be familiar with the presence of the Youkal tribe, as well as a few recurring characters and mention of the Automatons. "Despite the transition from pre-rendered graphics to full 3D, Syberia III’s art direction is able to capture the tone and essence of its forebearers fairly well." And those aren’t the only adversaries that she’ll have to evade. It’s up to Kate to help the Youkal tribe, a group of nomads who roam the lands with their giant “snow ostriches,” to get back on their journey and rescue their young guide from the clutches of the asylum. However, everything isn’t as they seem as the medical staff seem fairly content on keeping you at bay. You are once again thrusted into the role of Kate Walker who has awoken in a sort of asylum, thanks to the Youkal tribe. Regardless, the devs persevered and the long awaited sequel has finally seen the light of day. Despite being announced all the way back in 2009, Syberia III has had a troubled history of lack of funding and missing its projected release windows. Not content to see the series fade into obscurity anymore, French developer Microïds has finally released its latest entry in the Syberia series. Thirteen years have passed since the last time adventure game fans stepped into the shoes of American lawyer Kate Walker.
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